The following is the screenshot of the example. Switching off the plug-in will show a drastic change in the output of the speakers. With the help of the tweaking, users gain complete control over how they adjust the output of the speaker based on different factors and optimize the settings for speakers as well as headphones. The overall interface is simple, making it easy even for a beginner to adjust the settings with ease.
For those who are in need of additional features have the possibility to buy the premium version. Step 3: A new panel on the right side will appear where you can edit MP3 metadata related to covet art, name, artists, album, genre, year, track. Conclusion: The above-mentioned provided plug-ins are top rated and are quite useful for music lovers who love Windows Media Player.
Choosing a plug-in is dependent on the listener or the user. Therefore, there is a possibility that a few might think that these plug-ins are unnecessary while others believe they make quite a difference in the listening experience.
Regardless of the requirement, the presence of the media player and the plug-ins help in enhancing the hearing and viewing experience for the user who extensively uses the Windows Media Player for every activity. Learn More. Aimersoft Video Converter Your professional and competitive video converter. What are you looking for? Download Video. Convert Video. Rip DVD. More Products. DVD Burning Tips. DVD Ripping Tips. DRM Removing Tips. Video Suite for Windows.
DVD Ripper for Windows. DVD Creator for Windows. Video Converter Ultimate for Mac. Video Suite for Mac. DVD Ripper for Mac. DVD Creator for Mac. More Downloads. With this tool, you can use the compressor and limiter to adjust the dynamic range of the audio.
Suppose what you want is to edit both video and audio, remix them together and output into a final file, apparently the two Windows 10 equalizers above are not that type of tools.
Try VSDC instead. VSDC is always on the top list of free video editing software. True, it is primarily well known as video editing tool , but there are also a set of audio editing options you might not notice. Whether you want to normalize, reverse, delay or equalize audio, VSDC will do it for you. Nvidia RTX Voice is a plugin to process audio in real-time. If your main purpose to use an equalizer is to enhance your voice and remove background noise, this utility is a nice choice.
It can enhance the audio by suppressing background noise such as keyboard typing and other ambient sounds. Nvidia RTX Voice can also detect your voice from the speaker and enhance its clarity for broadcasting.
I have tried all the ways suggested and it is not there. Do I need to or can upgrade to a higher version of windows 10?
You might notice that something is weird about the Windows 10 equalizer. Some people can easily access the equalizer settings on Windows 10 computer, while some others cannot.
Our survey of 6 Windows 10 computers with audio drivers in different versions is as follows. Why is that and how to fix the error? Cecilia Hwung is the marketing manager of Digiarty Software and the editor-in-chief of VideoProc team. She pursues common progress with her team and expects to share more creative content and useful information to readers.
She has strong interest in copywriting and rich experience in video editing tips. Create cinematic videos and beyond.
Learn More. VideoProc Converter One-stop video processing software. Convert, transcode, compress, download and record. VideoProc Converter Convert, transcode, compress, download and record. Improve Sound Quality With VideoProc Vlogger Besides adjusting real-time sound effects using system equalizer, you can also improve sound quality with desktop video and audio editing software. Free Download For Win 7 or later. About The Author.
Cecilia Hwung. For example, on a 16 channel unit with 64 note polyphony, the synth can play 64 notes at a time, spread out over 16 different instruments. It just means that an input driver is currently not installed on your computer. This will restore the program's factory settings. If there are still no drivers there, this means that for whatever reason, the driver isn't installed on your computer. You can verify this by checking the Windows Control Panel.
You will likely need to re-install your sound card or MIDI interface drivers. You can usually download the latest drivers from the manufacturer's website.
Find the file BBW. You can name the shortcut whatever you want by clicking once on the icon and pressing F2 on your keyboard. To open the Play Control, double-click on the speaker icon in your taskbar, usually at the bottom of your computer screen in the right-hand corner, or go to Start Programs Accessories Entertainment Volume Control.
For example, if you were recording audio using the line-in on your sound card, you would select 'line-in' as your recording input. In the Properties window, you can choose which audio device you wish to control the "Mixer device".
Normally you don't need to change this. Another way that you control audio recording and playback is by choosing your audio input and output drivers. If you only have one sound card you don't normally need to worry about this. Whenever you launch the Windows sound card mixer, it always opens showing the mixer panel for the currently selected audio driver in the Windows Control Panel.
If you get an error message when you try to open the sound card mixer or nothing happens when you try to open it, this means that the selected audio driver doesn't have an associated Record or Play Control window. You will need to check with your sound card documentation if you are not sure where to find it.
Please click here to read our complete tutorial on rendering to wave. If you are looking for the quickest solution, try using the DXi-Direct Render. Here is how you do it:. Tuning depends on the sound source. If you are using a synth module or keyboard, see the manual for tuning info. You will need to contact the computer or sound card manufacturer to resolve this problem. Stuttering can occur if your machine is doing something else and hogging the CPU, like writing a big file to the hard drive or checking a Net connection, or if other programs are working in the background.
Anti-virus programs are sometimes the culprit. Troubleshoot this by closing as many background programs as possible. You can also troubleshoot by using the Selective Startup feature. Go to Start Run, type msconfig, and press OK. Click on 'Selective Startup', and uncheck 'Startup items'. Press [Apply] and restart the computer. Note: Windows doesn't have the system configuration utility.
This brings up the Close Program window. Click on any item listed in this window except for "Explorer" or "Systray" and press [End Task]. If another window pops up saying that the program is not responding, press [End Task] again. Note: Pressing Ctrl-Alt-Del twice in a row will restart your computer. If you restart your computer accidentally during this process, most of the background programs will likely be loaded again.
You can configure which programs load at startup in the Windows System Configuration Utility go to Start Run, and typing "msconfig". An improperly installed MIDI interface or sound card could also be the problem. Another issue might be that the PCI bus is being locked out by the video driver. This can be caused by accelerated video drivers taking over the system for 50ms or more.
The solution is to disable accelerated video. Turn the Hardware Acceleration slider to none. Close programs not needed that load when you start Windows. Note that Explorer is the Windows operating system and Systray is the system tray located on the right-side of the taskbar.
You should not [End Task] these two programs. Determine which programs must run all of the time, and then quit the remaining programs. Note that your computer is likely configured to load a number of these programs at startup, so that if you restart your computer after doing this, the programs will "come back".
You can configure which programs get loaded at startup in the Windows System Configuration Utility go to Start Run, and type msconfig. Clear your Clipboard. When you copy a large amount of information to the clipboard, it will remain until something else is copied onto it. To clear out a large data amount that you have copied and pasted, copy a couple of lines of text to the clipboard. If you run an application that uses system resources every time it runs, try to keep it open instead of closing and reopening it many times during the day.
One characteristic of a software synth is that it takes some time for it to express the MIDI data it receives as sound. This delay is called latency, and is normally a fraction of a second. However, note that this is only a visual setting; it doesn't change the actual latency of the driver. There will still be a delay between when you strike a key on your keyboard and when you hear the note played. If you prefer the sound quality of the soft synth, you can record using a no-latency driver, and switch back to the soft synth for playback when you have finished recording.
By default, the Roland VSC has a response time of about to ms a little less than half a second. This is a safe setting, and will avoid audio drop-outs and glitches even on older and slow computers. On most modern computers, you can reduce the VSC's latency by a fair bit without experiencing any problems.
Depending on how fast your computer is, you may be able to reduce this to about ms or less. This is still not ideal for live playing, but is much better than ms. Follow these steps:.
Open the VSC. If there are no playback problems, you can move the Response Time slider another notch to the left. The next step is to go to the Opt. If so, answer "No". If you have trouble reducing the VSC latency below ms, the following adjustments in the VSC settings window may improve performance without sacrificing sound quality.
See the VSC help file if you want more information on each setting:. Click on the Receive Events tab and uncheck any that you do not use ie - delay, expression The sounds are somewhat similar to the Roland VSC, but they are lower quality sounds, and there are fewer of them. The latency of the GS Wavetable varies between different computers - it is usually between 50 and ms.
As far as we are aware, there is no way to reduce the latency on any particular computer. Unfortunately, many new computers don't include a sound card with a built-in MIDI synthesizer, so choosing a "no-latency" MIDI output driver for recording may not be an option. Preferences Audio. Rest bars 1 and 2 by typing in any chord in bar 1 followed by a period for example, Cmaj. If you want a count-in, you can enter this into bars 1 and 2.
In the Notation window, switch to the Soloist track you could use the Melody track instead and toggle into editable notation mode. Enter the note Db3 on beats one and three in bar 1, and all four beats in bar 2.
Right click on all six notes and change the channel of each of them to channel 10 the drum channel. Db3 is the side stick on the drum channel. Now when you play your song, you will hear a count-in in bars 1 and 2, before your song starts on bar 3.
For an example of this, go to the Styles menu Choose from 24 'Built-in' Styles, and select the "Irish" style. You can use the Search function in the StylePicker to find styles written for a specific compound time signature. This does not automatically add them to the list of styles in the StylePicker window, however you can still access them by using File Load User Style F9. If you get a "style not found" message when trying to play a song, this typically means that the style is not in the root directory.
There is a file called BBW. Here is what you would typically do to add one of your personal styles to the StylePicker:. When you are finished, press [OK-Save]. LS3 containing your new style information. LS3 file. Note that you shouldn't edit the BBW. If you would like technical information on how the bbw. If you want to get a more natural ending on a song, such as a held or sustained chord, here is what to do:.
Type in any chord other than the last held chord it doesn't matter what chord you use, because it will be rested. NOTE 1 - This does not work if you are using an automatic 2 bar ending.
Note 2 - You can only do this if your song has a single chorus OR your song has more than one chorus and you have specified a Tag ending. If you have multiple choruses without a tag ending, you can't hold the last bar of the song because the hold will be played each chorus.
Click here for more information. The Soloists in brackets are Soloists that are in a different feel than the style you are using. For example, when you're in a swing style, you would see some 'even feel' Soloists in brackets, because they wouldn't be the best Soloist to pick. NOTE: Some Soloists are set to "Auto-load" particular styles that they work best with - this is indicated in the Memo notes for the style. Choose the "hold chord" option all instruments.
This means that the style selects the instruments you hear. When a user changes the instrument for a selected part, that part stays changed only until the song is stopped and played again. When playback is started, the style that you are using sends program change messages that set each track to the default patches for that style. If you want the patches to stay as you selected them, you need to use File Save Song with patches and harmony to override the style settings.
You need to do this after you change the patches to what you want, but before pressing Play again. PAT] , and change the default instruments used by the style.
By doing this you are changing the way the style will play every time it is selected. You should consider using 'Save As' in the StyleMaker to create a new version of the style before editing it - this way you don't have to worry about modifying the original style. One other reason why your patch changes may not be sticking even though you have used the Save Song with Patches dialog , is if you are using a 'style with instrument changes'. PAT], and see if "Use separate patches for a and b substyles" is checked.
If so, you could either uncheck it or set the patches you want in the StyleMaker. Alternatively, you can change the resolution for any beat individually by doing the following:. In the Notation Window, activate 'editable notation mode' by pressing the 90555 button once. You should see groups of vertical dashed lines.
Right-click on the time indicator line above the beat that you want to change. This will bring up the Beat Resolution dialog. The time indicator line is the narrow horizontal space above the lyric entry area; it contains a little black cursor that shows the current position of your song.
In the Beat Resolution dialog, set the number of beats to 3 if you are in an even feel style and want triplets, or 4 if you are in a triplet style and want sixteenths. Assuming that you are in triplet resolution, you can insert an eighth note triplet by placing notes on three consecutive dashed lines. For quarter note triplets, place a note on every second dashed line.
Note that while your music will always play the way you input it, you may not always be able to get triplets to display exactly how you want. If you find that a quarter note triplet you have entered does not display with the proper triplet notation ie 3 quarter notes with a '3' over top of them , note that:.
In the Notation Window Options dialog, the "Tick Offset" setting can be used to adjust how the notes are displayed. Try setting this to zero; this may allow your triplet to be displayed properly. Quarter note triplet display will not work as well if you are using an even feel style and are changing an individual beat to triplet feel.
It works better if the overall feel of the style is a triplet feel. Ties extend the duration of a single note. To change the duration of a note, right-click on the note in editable notation mode to edit the note parameters manually, or extend the duration of the note visually in 'staff roll' mode.
Then, right-click on the note head and hold the mouse button down while dragging to the right the desired distance. To delete a tie, you can either insert a rest at the point that you want the tie to end by checking the 'rest' box and clicking at the desired location , or reduce the duration of the note.
What if you have two existing notes that you want to be tied together? In this case, you would simply delete the second note and extend the duration of the first. Slurs are notes of different pitches that are played legato, without separation. The slur symbol is a curved line, similar to the tie symbol, except that it connects two notes of different pitches.
The two notes are both played, unlike a tied note. Version and higher DO support the entry of slur symbols. To insert a slur, right-click on the note in editable notation mode, point to 'Notation Symbols', and select 'Slur'.
This will open the Notation Event dialog which allows you to define the properties of your slur. You can find tag settings under Edit Settings for this song. Set the 'Tag exists' field to Yes and then choose the tag starting and ending bars.
If you have "Generate 2 bar ending" selected, the ending will play automatically after the tag. Note that the tag will only work if there is more than one chorus.
If you placed a checkmark in the 'tag exists' box in the song settings dialog, and it became unchecked, this means that your song is set to have only one chorus. In this case a tag is irrelevant because it would simply be the last bars in your chorus. Once you do this, you have the chord symbols and Melody, and you can select a style that you want to use to create an accompaniment.
Usually this feature is used to import only the melody from a MIDI file. If you import more than one instrument to the Melody track this way, you will want to switch the Melody track to a multi-channel track by going to the Melody menu and selecting the 'Track type'. You can choose , and all notes will be set to maximum velocity For example three notes with velocities 30, 67, and would all be set to maximum.
If you choose 10, 10 will be added to all velocities. For example, three notes with velocities 30, 67, and would be set to 40, 77, and respectively. Choose any key on your computer keyboard N for example and strike it in time with the notes of your melody.
The idea here is not to get the note pitches right, just the durations. When you have finished, keep the take. Next, put the Notation Window into editable notation mode. From here, you can step forward or backward note by note using the keypad "Ins" and "Del" keys. While doing so, you can use the up-down arrow keys to change the pitch each note. This method works great for non-keyboardists, and is also useful for adjusting existing melodies.
You can create file associations for any file type with any program, by right-mouse clicking while holding down the SHIFT key the file you want to have automatically open with the program e.
Then, scroll down until you find the program name you may have to press the OTHER button and find the program manually. You need to copy the chords separately from the melody, solo, and lyrics. You can copy the chords from one song to another by simply highlighting the chords in one song, selecting Edit Copy , then opening the other song and selecting Edit Paste.
Adjust the number of bars per chorus accordingly in the destination song. Say that "song 1" is the file you are copying from, and "song 2" is the file you are copying to the destination file and you want to copy the melody:. In Song 1, open the Notation Window Melody track , and toggle into editable notation mode by pressing the 90555 button.
Find the start of the section that you want to copy and highlight a small region it doesn't matter how much starting at that location. Hold down the shift key on your keyboard, and click on the end of the section that you want to copy.
Load Song 2, open the notation window, and position yourself at the location you want to start pasting at. This does copy lyrics. Determine how many bars from the start of the song the part is that you want to copy.
Mute all tracks except for the Melody track. Open Song 2 and determine how many bars from the start of the song you want to paste the section.
The other thing you may need to do is set up the part of your destination song that came from song 1 with the same style, patches, tempo, etc. The Edit Settings for current bar F5 dialog will be useful for this. Disable the style, choose a blank style, or mute all of the tracks except the melody. Also, you may need to set the Melody track to be Multi-channel. Setting the Melody-Track Type to Multi-channel just means that the channels on the Melody track won't get re-channelled to the Melody channel.
It's used if you want to load a whole MIDI file to the Melody track, and play it as is with all of the channels. It will play at whatever volume change was last sent on the channel in question. If you have 'tab' enabled in the Notation Window Options dialog, setting the track type to 'Guitar' will display guitar tab in place of the Bass clef.
You can display Bass, Mandolin, etc. When using a wind controller with a computer program, make sure to filter out most of the MIDI information that is sent from the controller. Other than that, you should be able to use it as a normal controller. If it has a weight of 9, it will always get played if the mask criteria are satisfied. How often each pattern will get played will be determined first by the number of chords in a bar then by the 1 - 9 value.
A 2 bar pattern gets played if there is only 1 chord at the beginning of 2 bars. A 1 beat pattern is chosen if there are more than 2 chords close together in a given bar. If you were 'counting' the timing for the downbeats only, it would of course be 1 - 2 - 3 - 4. However, if you change the chord on the upbeat, it will play for a duration of a dotted quarter note. You cannot change it to something else on the NEXT downbeat. In other words it won't play an eighth note by itself.
In the second bar, enter F,F and F,F. Now use Ctrl-W to get to the notation display and press Play. Click on the B at the bottom right of the menu bar to display the Bass notes. You will see that there are 3 C notes, being 2 quarter notes, one eighth note and then a dotted quarter F note.
This topic covers the terminology of:. These controls are found just below the song title window on the main screen. The defaults for a new song are [1]-[32]x[3].
So if your first chorus starts at bar 17, you have from bar 1 to 16 16 bars to do what ever you want to with. You could create a standard intro, or with instruments coming on one at a time every 4 bars. You may place part markers to go from lighter to heavier feels.
You may include as many bars as you need to, but this section will only play once at the beginning of your song. In this section it is a good idea to make full use of the part markers, which will give your song a different feel, especially in the bridge.
BRIDGE Contained within the main framing section of the song between the chorus begin and chorus end bar, the bridge is usually emphasized with the use of the "B" substyle. Experiment with two styles that are similar, and later with wildly different styles. You can make it as long as you like. It will fall outside of the "chorus begins at" and "chorus ends at" section, and it will only play once at the end of your song, after the choruses have been played. It could consist of the chords for a bridge, a key change and chorus restatement, then a full ending.
To set up the tag ending, click the [S] button found just to the right of the framing controls to bring up the Song Settings window. Place a checkmark in the Tag Exists box and then specify how you want the tag to be played by typing the bar numbers in the 'Tag jump after', 'Tag begin at', and 'Tag ends after' boxes. In our example, say we set those to 40, 49, and This means that the song would play through two chorus, play the third chorus up to bar 40, then jump to bar 49 and play through to bar Note: A Tag will only work if there is more than one chorus set to play.
If your song only has one chorus, the a tag isn't needed. It will add 2 bars to the song and auto-create an ending for you. In summary, the entire song that we have set up in the examples above would play the following way: , , , , and if we have turned the two bar ending on, bars would be the ending. Click here for more information about this.
Each of these can have a value from 0 to However, most synths have patches on higher banks beyond the General MIDI set of instruments, and if you want to access these sounds, you will need to use Bank changes. At one time, no synthesizer had more than sounds. As technology progressed, musicians demanded more sounds. There are two controller messages in the Bank Select command:.
Two separate messages allows you to access up to 16, banks, of patches each. This creates locations for 2,, patches. Needless to say, we're not aware of any modules with over a couple of thousand patches yet , let alone two million. Refer to your manual for accessing patches on higher banks on your particular synth. In your synth or module's manual, bank is usually listed first. Place this value into the Bank Box.
The second column in the table is usually the Program Change column. Also known as the GM or GS patch name, choose this patch number from the instrument pull-down menu. Don't worry if the General MIDI instrument name does not match the name of the patch you are trying to access.
Controller Number 32 or LSB may be needed as well. Although it is not used very much in the Roland line of synths, it is used extensively in some other synths. If you are selecting patches from higher banks very much, you may want to learn about "patch maps". Note that if you change the default patches used by the style, you will probably need to use File Save song with patches and harmony to prevent your chosen patches from reverting back to the defaults when you press Play.
We include some patch maps. If you cannot find a patch map for your synth, you may wish to create one. We have written a tutorial on patch map creation. Yes you can. Click the. This will give you the option to either save the file on disk this could be anywhere on your hard drive, or a floppy disk. If you choose 'file on disk', this will bring up the standard Windows 'Save' dialog.
Choose the location you want the MIDI file saved to and then hit the save button. Go to the File Open. Browse to the location you saved your file to. Select the file, then hit the 'Open' button.
Open PowerTracks. Use the File Open from Clipboard command. If your song has a RealDrums track, this will get saved as a wave file in the same folder that you save your MIDI file. This feature is called the Reharmonist, and can be accessed by pressing the button in the toolbar or by going to Window Chord Reharmonist Dialog or Window Auto-generate Chord Reharmonization.
To do this, you would first mute all of the tracks except for the Melody track, press the. Unfortunately though, a single line melody isn't a very good candidate for the MIDI file chord wizard. Go through your melody and add one or two notes below selected melody notes that you think "sound good" with your melody.
Of course, this isn't necessary if you use the Reharmonist. The BBW. This file is updated when we release new styles so that the StylePicker window will recognize them.
LST released with that version. If your new styles do not show up in the StylePicker window, first try pressing the [Rebuild] button at the bottom of that window. If they still do not show up, here is what to do:. Styles not installed to this folder will not be recognized by the StylePicker. This will install the latest BBW. Check that 'Show all styles' is selected in the pull-down menus at the bottom of the StylePicker window i.
In this case:. More information: Because of StylePicker improvements in , the most current bbw. These small downloads will install a bbw. If you do this, you may see some question marks in the StylePicker.
Also, the Load Song Demo button will be inactive for those styles. You might have other styles from third parties, or styles that you have made; the BBW. LS3 files. LS3 file and add the styles to the 'Other Styles' category.
You can enable this in Opt. You can enter a maximum of four chords per bar - two chords per "cell" first or second half of a bar. To enter two chords in the first or second half of a bar, simply separate the chords by a comma when you type them in. This is set in Opt. Uncheck these options if you don't want to hear the count-in. This cannot be done at present.
This is usually because your drum track is set to a non-drum channel. On the drum channel, each patch corresponds to a different drum kit, and each MIDI note corresponds to a different drum sound for example, snare, bass drum, etc. Very old synths might use channel 16 or another channel. Check under Opt. Preferences Channels and make sure that the drum channel corresponds to what your synth uses.
You may need to check the documentation for your synth. DK file that matches your synth. This file will set up the GM patches, drum kit, and channels to what they should be for that synth. While this is not normally necessary for most modern synths, it may be necessary for some older and non-General MIDI synths. If you have a Yamaha synth, try going to Opt. You can set the lowest bass note in the Opt. Preferences Arrange dialog. These short notes don't get displayed in notation, but do get played.
If you hold down the ALT or CTRL key while increasing the volume of a selected track, all of the other tracks will decrease in volume, and vice versa. The 'Transpose' settings in the Notation Window Options dialog affect only the viewable and printable notes, while leaving the MIDI playback in the original key.
This allows you to view proper notation for non-concert instruments, such as a tenor sax. Beside 'Transpose', type in the number of semitones that you want the notation to be transposed. There are also some presets that you can select from the pull-down menu that may work for your instrument. Most likely, your Windows Recording Control is not set up properly. To set it up properly, follow these steps:. This should bring up the Windows Record Control Panel. Select or mute the device s you wish or don't wish to record from.
It's also possible that you don't have the correct audio driver selected. See FAQ topic 13 for more information on selecting your sound card and setting up the Record Control panel.
Most likely, you have enabled the Loop Screen feature in the Notation Window. Open the Notation Window and un-check LoopScn. These commands are found under the Audio menu Edit Audio. The "quick audio adjust" just accesses the same setting that you get using the speaker icon i. It doesn't affect the actual wave file. The permanent level adjust in dB actually affects the wave file itself.
If you set the quick adjust to zero and rendered your song to wave, the WAV file would still get rendered with a normal volume, but if you reduced the dB of it using the other command, it would be quiet.
Open the Notation Window and click the 90555 button one time to get into editable notation mode. Right-click on the note that you want to change to bring up the 'Note Edit' dialog. This dialog allows you to edit specific parameters of any note, such as the time it begins, the duration, pitch, and volume velocity. You can also use the 'Force Accidental' menu to select if you want the note to be displayed as a sharp or flat.
The main things that determine which accidental is used for any note are: The key of the song, the chord being played at that time, and whether you have 'Use chord scale for enharmonics' enabled or disabled in the Notation Window Options dialog. This could be your computer keyboard, an external MIDI keyboard, or even a wind controller or guitar synth. The only tracks that are completely editable are the Soloist and Melody tracks.
The reason for this is that the program automatically generates the accompaniment parts for you Bass, Piano, Drums, Guitar, and Strings. You would then mute the original bass track or rest the bass throughout your song, and set the Melody or Soloist track to a bass instrument. MGU in the name. This will allow you to edit the current harmony. You can adjust the Velocity boost "V. Boost" for each voice. This allows you to increase or decrease the relative velocity loudness of each voice, to make the voice stand out more or less in the harmony.
To transpose to a new key in the middle of a song, you can use the Edit TransposeFrom It is not currently possible to have more than one key signature displayed in your song. When you transpose part of your song, the notation will show up with the correct notes and accidentals, but not with the new key signature. This is the "chord step advance" feature.
Open the Notation Window Options dialog and press [More This setting can also be used to clean up the notation and get it to display the way you want. You can step through individual notes as well by using the "note step advance" feature. We have the latest bbw.
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